Open mics - two fabulous acoustic venues

1) Michel Rae Driscoll, a wonderful warm, country singer-songwriter, runs a Thursday open mic at the Hideaway Cafe in Newtown. There were quite a few folks I knew there. Every one was very supportive. On July 14, I only played one song. It went over way better than I had expected.

2) Chris Elliot, an accomplished singer-songwriter and guitarist with a great voice, runs Tuesday Night Open Mic, a great open mic at 59 Bank Street, in New Milford. I had more callouss by this time (July 19) so I played two songs.  Everyone was so supportive. I always do better than I think I am going to. (I found out later I won the open mic gift certificate. a nice surprise)

Every time I stop playing for a while it feels like I have forgotten everything. I didn't even have callouses when I started up again in the beginning of the month. Though I feel I have forgotten, I haven't. And though I seem to dread the act of performing now, once I start, I just enjoy it so much, and I get such great comments.

In the old days, my forte as a singer-songwriter had been putting emotion and eccentric personality in the music. I used to be very  comfortable and confident. I knew I had meaningful tales to share and people seemed to really get something out of it.

But in classical singing, technique is king.  You are conforming to an ideal of interpretation in a long line of those that came before you and you are always being judged against this ideal.

Anyway I ended up with 15 years of singer-songwriting confidence drained out of me, by my decade in classical just by being out there and working professionally in a highly politicized arena where all participants and much of the audience is constantly judging, holding to some mythical perfection. Acoustic/Folk Open mics are different. You offer a song, sing it with heart and it is appreciated for what it is, no matter how old or odd you are.

I've gone back to my first performance art, and I'm loving it.

Do you drive with a phone in your hand? STOP IT!

I was followed today by a large man in LARGE silver Ford Truck - the kind that sits way up high - a 150 or something like that. And he had a phone in his right hand and was clearly thumb typing as he drove. Frankly I was terrified. I have twice been rear-ended - once by  a huge red pickup and once by a guy hurtling along around 40mph in a magenta jeep, while talking on his phone. IF you drive with a phone in hand ask yourself - is this message so important that it's worth a life? OR worth a life of pain for someone ELSE, after getting serious neck injury when you hit them????  Or worth a huge lawsuit and losing your license?   Frankly there is NO MESSAGE THAT IS THAT IMPORTANT. So put down your damn phone and drive.

Paintings: Spacious No 1 & 2

Though I have put up Spacious No 3 - I had not written about Spacious 1 & 2 yet. With the caveat that the color is a little off in these photos, here they are:

--- Spacious No. 1 ---

....

--- Spacious No. 2 ---

Both of the these paintings had more garish beginnings than is apparent here.  They both hung for years in the house before I finally knew what to do with them...  Spacious No 1 on the left, had green and purple clouds that looked for all the world like intestines. And that is what bothered me about it.  Spacious No 2 had a garish sunset, and I do mean garish.  Ultimately I went for a sense of spaciousness over jumpy colors that I didn't think worked well.....

The link to a post on Spacious No 3: http://puzzleddragon.wordpress.com/2011/02/09/painting-spacious-no-3/

In era of caller-ID, are phone polls valid?

In our house, we don't pickup calls that say "Political Call" "Unknown caller"  "no name" or any variant of customer, services, marketing or anything that isn't someone's name or a company we know is local.

We do not pick up, so our opinion is never counted in the know-it-all polls from Quinipiac and other groups who officiously announce what Connecticut Voters want. 

I am guessing the era of caller ID we are not alone in this foible. Frankly no one that I know picks up the phone unless they know who is on the other end.  I think it's just a handful of the foolish and/or technically challenged  who actually answer pollsters' calls.

I wonder if  the polls are often wrong - I mean how would we know?. Of course would equal numbers of opposing view holders exist in the group that refuses to pickup or in the group that consistently answers?  I think it is possible that the people MOST likely to vote are LEAST likely to pickup calls from unknown groups, and are also most unlikely to answer questions strangers pose, if they did pick up!  SO - In the era of  caller ID and cell phones -  is the classic telephone  opinion poll  an acurrate measure of public opinion?

And I am so sick of hearing politicians proclaim that this or that is not what "The American People" want. As if we were all alike. As if they really knew -

Governor Malloy, you are doing a great job. Thank you. Glad I voted for you.

Fiddling with new program

I have been fiddling with a new program from the mac app store. It's called Paintr and it is fairly inexpense on sale for $7.99. This is my first experiment with the program. Just fiddling. I will be using this to sign my work digitally in the future as picnik has proved ahh, unreliable.

Unexpected sights: wild mix & match

The other day, a drab day, I saw a wonderful eccentric sight in the grocery store, that cheered me immeasurably. It was like I had moved to some  Caribbean island nation on perpetual vacation. Or as if the sun had suddenly emerged from deep fog. What I saw, was a pre-occupied grey haired gentleman (or perhaps rascal) with a beard and sandals who was sporting a wild wild shirt. I loved the sight so much I had to take a picture, though I took pains to not show his face to preserve his privacy. Thank you so much dear sir, you made my day so much better.  I left the store humming.

Poetry at New Britain's Museum of American Art

On April 17th, 2011, twenty poets read poems on paintings that were hanging at the Museum of American Art in New Britain. The poems were all written specifically for painting the museum had on display. Behind the podium was a large slide show of the paintings - so that as the poet read, the listeners could see the painting that inspired the poem.

This extravaganza was dreamed up and arranged by Colin Haskins (the CT Beat Festival & The Free Poets Collective) in cahoots with the very congenial museum staff. Particulars of the reading were fussed with by a few busy ladies from the free poets collective. I will be adding a few shots the readers are below, in the grainy manor of my phone. I wrote a poem for the occasion on a Georgia O'Keeffe painting in the museum's collection, that I had never seen before - of New York and East River, a surprising subject for O'Keeffe.

It was a wonderful event, really wonderful and I got a great poem out of it, well I like it anyway:


East River from the 30th Floor of the Shelton Hotel, 1928
a painting by Georgia O'Keefe

New York morning panorama
Center stage: blue wedge of river
of tugs and steamers
barges, buoys
gruff handlers yawning,
a days work taken on,
busy already at dawn

On its banks: A greyed up city of squared rooftops
synchronous to the horizon
aligned with smoke stacks and chimneys
ingrained with streets and avenues
a structure of shelter, housing:
the sleepy and the busy,
the languid and the industrious,
the despairing and the inspired alike

Here is a vast city as smooth as the velvet petal
of a white flower filling a picture frame
Or a row of desert bleached skulls
empty and eyeless, cast like dice
yet full of various purpose.

A city ready. egalitarian a city welcoming the day
a city that history will alter
as a painter alters a canvas
one layer covering another
visions and revisions
in this accented high-rise air
waking to this earnest tenement light


Written for an ekphrastic Event of the Free Poets Collective at the museum of American Art in New Britain CT, April 12?, 2011 subsequently included in Visions and Verses? an Exile Press/Free Poets Collective publication