Showing posts with label endangerments. Show all posts
Showing posts with label endangerments. Show all posts

Saturday, April 23, 2016

April 2016 Poem a Day #23 Sole Entanglements

For this prompt (to write a poem about footware) I am posting a poem I wrote many (MANY) years ago - because it is my definitive footware poem.

Sole Entanglements


Old shoelaces unravel
unruly as love
as likely to trip you.
Untied, each lace dances
frayed and flaccid
reluctant to knot again.
.
Velcro closures lock
and cling too willing to grip
but Velcro can't let go
There's rip and uproar
when suddenly undone.
.
Old loafers are the best.
So easy to slip
in or out of at a
moment's whim, they
shelter your pennies
never ask for socks.

Tuesday, April 19, 2016

April 2016 Poem A Day #19 Heaven and Hell explained

Heaven and Hell explained

Considering the sea, it may be, life and time
must brew themselves in boiling brine
near some star 'splosion or volcanic vent
Melt the immobile start the drip
set off the ticking universe
for a hot, rotational trip.
But for timeless or eternal
an absolute zero temperature is best.
As any motion
would be a timeline,
cancel out eternal rest.





Monday, July 30, 2012

Piercy's Woman on the Edge of Time

Although I've always thought of Marge Piercy, the author of Woman on the Edge of Time,  as a poet -  she is also a novelist.  This particular book is an odd and interesting novel which came out in 1976, one of a half dozen novels she wrote. According to Wikipedia it's "considered a classic of utopian "speculative" science fiction as well as a feminist classic."  (I picked this up this classic at Newtown's annual blow-out used book sale. It's a great sale!)

Woman on the Edge of Time is sort of a sci-fi tapestry woven with intricate anthropological/futurist twists, inner-landscape psychological-chatmeup, environmental philosophy and humanity.  It's not a quick read but I liked the heroine Consuelo, and felt compelled to keep reading.

Much of the plot occurs in some bleak present time in an insane asylum where regard for human rights is not in evidence and the abuse of the powerless by those with sometimes only a crumb more power, is rampant.  The other half  unfolds in fits and starts in a egalitarian argraian New England village in the far future where men and women are equals and balance in all things is important.

And it is a book that requires thinking as some aspects of the plot are not particularly obvious until you ponder them in retrospect. It's ending was not was I supposed.

And in the end it's hard to tell what really happened.  Did Consuelo save the future with her violent eposode in the present?  Was she railroaded by the power structure of patriarchy or was she really crazy?  I was also left wondering if Piercy meant to say that the end justifies the means.  Was it the 60s declaring war on what came before and perhaps what came after?

 Each reader must decide for themselves.
Woman on the Edige of Time at Google Books
Woman on the Edge of Time - Wikipedia
Woman on the Edge of Time - Amazon

Sunday, July 17, 2011

Do you drive with a phone in your hand? STOP IT!

I was followed today by a large man in LARGE silver Ford Truck - the kind that sits way up high - a 150 or something like that. And he had a phone in his right hand and was clearly thumb typing as he drove. Frankly I was terrified. I have twice been rear-ended - once by  a huge red pickup and once by a guy hurtling along around 40mph in a magenta jeep, while talking on his phone. IF you drive with a phone in hand ask yourself - is this message so important that it's worth a life? OR worth a life of pain for someone ELSE, after getting serious neck injury when you hit them????  Or worth a huge lawsuit and losing your license?   Frankly there is NO MESSAGE THAT IS THAT IMPORTANT. So put down your damn phone and drive.

Thursday, November 19, 2009

Poet, Playwright Allan Garry - difficult truths, well-crafted poems


Allan Garry brought the realities of his past life to the Wednesday Night Poetry Series this past Wednesday night. He read well, spoke well, brought a balance of darkness and light to bear on the difficult subjects of war and death.  (He writes about other things as well.)

Garry is a Vietnam veteran who recently returned to writing after a long hiatus. He served in a morgue in Vietnam, searching bodies for ID, trying to honor the lives of men he didn't know, trying to make sense of random slaughter, preparing the bodies for their return home. He began writing in college after his discharge, but stopped, only starting up again in the last few years.

 He is, he says, experiencing the benefits of 18 years of therapy to recover from his experiences with war and with Post Traumatic Stress Syndrome. Much of what he had to say is so very current, with the endless treadmill of duty tours in our present wars.

His new play Gathering Shells, co-written with Crystal Brian, (who also attended the reading) has  been produced at the Long Wharf Theater and the Little Theater in New Haven, CT,  and will be produced at the  Abingdon Theater in New York on Dec. 3, 4 & 5.  Admission is free; seating is limited. For more information and tickets, call 203-582-3500.

Garry's poetry has been published in The Red Fox Review; the Pennypaper, Curbstone Press and Helix. He has read his work at Wesleyan University, Yale University, Trinity College, Connecticut College and a number of other venues as a winner of the Wesleyan University Honors College Connecticut Poetry Circuit. New poems will be appearing in the forthcoming issues of The Connecticut River Review, Connecticut Review and Avocet Review.

He doesn't have a chapbook yet, but his well-crafted poetry will surely find a home. If you get a chance to hear his work, don't miss it...

-- Mar Walker

Thursday, April 19, 2007

The argument takes a surprising turn

This seems very French to me. It's all digital and I think that most people will not like it, as it is not very realistic. It depicts the inner not the outer color of this fictional event. One crazy frilly oddball is getting ready to shoot another crazy frilly oddball. Go figure.



Tuesday, December 26, 2006

Oil Pastel: Overwhelmed


For some of us, holidays feel a lot like this sketch — we sit quietly while other folks race around acting crazy, trying to match some past holiday ideal. It's done in oil pastel on a 5 by 7 inch index card. (low buget materials.) For me, this year was a relatively good holiday, less stress. Today is work day though, with more than enough stress for everyone.