Thursday, March 15, 2007

Eco-technic Con – a poem about pollution from Inverse Origami


Will technology and science save us from our busy productive, mess-making lives? From our decaying infrastructure, from our out of control technologies?  Or are the things we love the root of the problem? Nobody wants to give it all up.... The poem:
Slick streets,

Black-macadam hydroplane.

Slick world,

screaming 'round death's edge on two wheels.

Curling carburetor exhalations,

a boiler's breathing,

a flatulence of furnaces,

white-metal bones empty of marrow:

cooling coils empty, cans empty,

underground tanks empty,

jugs and jars and

50-gallon drums, all empty.

Dip these parts in the sonic washer,

clean them with a soft brush

the bosses used to say, and

when the fluid begins to cloud.

Pour it out in the parking lot.

Hey you want a job or what?

It won’t hurt a thing, take my word...

My well is near here.

Please don't ask me.

This stuff makes me cough.

Please don't ask me.

But I got a mortgage.

I got kids who need to eat,

Kids who need to play Nintendo

in air-conditioned peace,

who need lobster bisque in Lennox bowls,

compact disc players, Spandex cycle pants

and grad school.

Drink this cup of poison, they say.

Drink it now or we'll find somebody who will.

Breath this. Breath it now

or we'll get somebody to do it cheaper.

The health plan will be canceled any day,

two days before you retire,

the day you're laid off.

YOU KNOW HOW IT IS, NOTHING PERSONAL.

Yes, we know how it is

but...OSHA inspects next week...

WAIT! DON'T POUR IT DOWN THE SINK.

WE'LL CUT YOUR PAY. WE'LL LAY SOME PEOPLE OFF.

WE'LL RAISE PRICES, WE'LL GET RID OF IT NICE AND LEGAL.

WE'LL ADVERTISE AS:

``POISONS INC, THE ENVIRONMENTAL COMPANY.''

Nervous men,

50-gallon drums and pickup trucks

cruise at 2 a.m. in the rain,

drizzling an inconspicuous trail,

down the interstate,

down narrow roads,

past the shacks,

past the housing projects,

past exclusive homes,

in the best secluded suburbs,

Hey — everybody share the risk,

after all they own it,

or they want to own it,

or they work there

or they want to work there,

or they buy the products

or they want to buy the products...

So we hide its byproducts

under a layer of grass

under a layer of dirt

under a layer of clay

under a layer of plastic

on top of two plastic liners

in a concrete pit, then

siphon off the seepage in Medusan pipes.

Industrial parks border the universal swamp,

jaundiced liver of earth, a new stew,

the complex primordial ooze, the

embryonic fluids for the chips we love,

(286, 386, 486 Pentium a series

like generations of children.

so many megahertzs strait to hell,

Zero wait state, dual pipe streams)

brought to you by the Game boys

and the home boys, the valley boys

down in Santa Clara.

And software is a clean industry, flashy

and fun, games and elegant logic so clean.

but first the hardware.

Brains, born in steaming sulfuric

on Germanium and silicone platters round as sums

shining with gold 'n aluminum 'evap'

Layer on layer on layer,

mapped in photoresist purgatory,

etched deep in Hydrofluoric hell

cleaned in brown porridge thick as shit,

stinking and simmering under reverse-flow hoods

Down in the clean room,

Down on the line,

Get me some B-12 injections in time.

50 to the inch where the acid's hit...

Down in the clean room

we all are sanctified

in our pure white robes

in our pure white hats,

The priests of this new theology,

offer chemical sacrifice

asking mysterious questions.

How many circuits

can dance on the head of a pin?

And every industry and all their customers hold mass,

celebrate the efficacious ritual sacrifice:

drink the blood of the present,

eat the flesh of the future.

The makers of batteries,

the metal platers, the printers, the copy machine makers,

the chemical makers, the makers of paints and paper,

of printed circuit boards,

the molders of plastic, the industrial opticians,

the weapons makers, the television makers, the stereo makers,

university researchers,

the private inventors,

tinkers in basements,

artists in attics,

the drivers of cars, the cleaners of ovens and toilets,

the removers of spots,

the strippers of paints, the strippers of life...

bug killers, weed killers, fungus killers,

Killers all,

(or merely motivation for mutation),

And every single living man and woman

pours a pint of poison.

We are too many.

There are too many pints.

So what if the damn unions don't like it?

And so what if 60 Minutes and Prime Time don't like it?

WELL THEN,
LET THE TAIWANESE DO IT

LET THE JAPANESE DO IT
LET THE CHINESE DO IT

LET THE MEXICANS DO IT

LET THE KOREANS DO IT

LET THE AFRICANS DO IT

Let them breath it,

and drink it,

and compose odes to it...

Don't make me make this choice,

between the water

and my children's rice...

Rio Grande (Love canal II?)

HELL, WHO ELSE CAN WE GET, THE MARTIANS?

ROBOTS, THAT'S IT.

THEY NEVER CALL IN SICK.

THEY NEVER TELL.

THEY HAVE NO CHILDREN.

Sun shines.

Rain falls.

Salmon swim upstream.

Swallows come home to roost.

Land kissing air, air kissing sea, sea kissing land,

Endless passionate liplock over the whole earth,

infinite molecular exchange.

Love Canal,

I, II, III, IV, and V

mysterious chemical cesspools

as yet un-named

raining,

draining to the sea.

Meanwhile

doddering uncle EPA

fondles bloated lawyers

in the back seats of court rooms

in the anterooms of accountants

in the labyrinth

of futures

of northern oceans

of barnacles, of plankton, of small amphibians,

of dolphins, of the tribes of man.

In crusty heaps, corroding drums

on the murky floor of every harbor,

on the murky floor of rolling oceans,

the great dump,

the last material infinity:

finite, vulnerable.

And deep and uncharted, the bones and skins

of nuclear submarines

ticking, ticking

plutonium half-life ticking

half a million years.

Oh yes, go down to the shining sea

where tumored turtles die.

Cancer buds, like caulifower

on the Ancient Reptiles

encrusting the eyes,

encrusting the necks,

signs along a path,

in the garden of many paths.

Turn around. Turn around. Turn around...

Slick streets,

Black macadam, hydroplane

Slick world,

screaming 'round death's edge on two wheels.

Don’t make me make this choice,

says the mother: earth.

Will she die? Spin askew,

lifeless as Mars or Moon?

Will she metamorphose

too hot? too cold?

or spawn a viral giant-killer

and we will sleep sightless in gaseous pockets,

with tyrannosaurus rex

in perfect equality, in perfect unity,

in perfect harmony with the earth,

in perfect patience waiting to be tapped

and our crude dark form refined at last,

consumed in light resplendent,

illumining the blessed meek who inherit:

who crawl from crevices to listen

in empty kitchens

for footfalls that never come.




















--- Mar (Mistryel) Walker, © 1998


Page 25, Inverse Origami - the art of unfolding (1998, Puzzled Dragon Press)