Obsolete tech devices as canvas and frame

I painted this abstract (above) in an odd place - inside a dead Sharp Personal Organizer, "512K" which, for a short  time many years ago, was invaluable. (Click on the picture to see it even larger - I think it makes the size-transition well) Of course, every darling is brief in the tech world and the planet is littered with abandoned, non-functioning gizmos. Painters - recycle! Below you can see it insituo - in the frame and substrate.

Poetry in disguise at Halloween party

Pictured above, are the crazy folks at the annual Halloween thing at Wednesday Night Poetry,  missing are Faith, (a devil) Victoria, (a pizza delivery girl with a pizza) Ernie in a bandana with a pirate spyglass. And T.G. as herself, with Tess, as herself.  We can't forget Tess. I had 'em wondering, including Tess who barked at me in my head-covering Egor mask, I tried to talk very low pitchwise, and sit not like myself, no leg crossing or sitting on my feet.  The whole bit  seemed to upset Tess no end - the cues were too confusing I guess. Poor puppy.  

I read a short spoof of a poem in my ultra low-pitch, threatening Egor style:

Mouse traps
Hickory Dickory Dock
Little mousie ran up the clock
The clock struck one
And Mousie did run and run
until she was done dun  da dun, dun da dun da dun da dun

A poem on a drawing: Free Space

From the archives:

Free space,

defined by what it's free of...

the grace, the drape, the liquid

air, where shuffling gauze

gives way, writing the bend

of torso, an ambition of words,

of space, of not often enough

exploring, hiding

or not hiding,

the cloth that tells

betrays the careful

covering and uncovering,

the moving and falling,

the piling of layers taken

away, removed as

we find our - silence.

.

-- a poem and drawing by Mar Walker aka Mistryel

This is an extended doodle, and all of the words of the poem appear in the drawing. I drew this during a lecture at a conference on metaphor and the book ta few years ago.  It was done in a little leather book that is very small. The medium is pencil. I have boosted the contrast to make it easier to see.  It is one of a handful of  small works where I have tried to combine drawings with words....

Dancing under a dark sky

From the PuzzledDragon archives: 

This is a picture where music is integral to the subject. You can't dance unless someone or something is piping out a tune...

This work is an oil pastel/water color I did in 1992 while I was in Maine and its lovely hills are visible in the background. The guy in blue with the hair was a very odd fellow named Peter Smith who used to wear fingerless billy idol gloves and who could talk just like homer simpson. Go figure.  The fellow in the brown tee shirt is waving his arms despite his girth. He was based on a rotund neighbor named Rob Puncheon. I tried to create vivacity here with the motion of bodies, stars, sky and grasses. Even the seated figure on the far left seems as though she might jump up and join in.  The only static being here is the pensive onlooker on the right. And the picture is really hinges on her. There is all this joyful motion and one sad bit of pensive melancholy. Ah well.

This was moved from the gallery blog, where it was a Jan. '07 entry

Coming home - for some it's not easy or simple

 from the archives of the Puzzled Dragon:

 

Tim O'Brien's book, The Things They Carried 

A few years ago in October was a series of  local events on the book, as a part of  the "One Book, One Community" series including a visit by Tim O'Brien.  That's why I've reposted this bit - I have changed my blog name several times since posting it originally.

DEATH AND THE FUNHOUSE MIRROR

To clearly see ourselves whole, stripped of the polite social mask, is at once privilege and nightmare. Tim O'Brien's self-reflexive novel The Things They Carried offers a soldier's view of the Vietnam War, but also a view of how a man's socially sanitized vision of himself can break down during war.  More than this, O'Brien takes readers on side trips, where they can feel a portion of what he felt, where they can envision their own disintegration.

After describing in a dozen different categories the things they carried with them, O'Brien the author tells us this:

"For the most part they carried themselves with poise, a kind of dignity. Now and then however, there were times of panic..... when they twitched and made moaning sounds and covered their heads and said Dear Jesus and flopped around on the earth and fired their weapons blindly..... In different ways it happened to them all."

It is a rare thing for me to fall speechless after reading a novel. Some of this novel is like Lock-tight and stays around when it is no longer convenient to remember. For instance the passage where the medic in grief and rage shoots a baby water buffalo to death one small divot of flesh at a time making sure that it is alive and suffering.  Or the repeated references to the Lemon tree, the light and the explosion, the clean-up.... Despite the amazingly different content, this book bears a great structural resemblance to Gertrude Stein's Autobiography of Alice B. Toklas. Like Stein's book, it discusses itself to death, one chapter discussing how the previous chapter was written, discussing if any of it is really true.  The book also uses Stein's device of the endlessly repeating iterations of cubism. Many scenes first appear in a slice, then in part, reveal just a little more, then the full version then recede, but never completely.... This cycling structure, Stein's "little waves"  lapping, lends itself to the material in that it mimics the soldier's inability to let go of the experience of combat in Vietnam, just as O'Brien the writer could never let go of it.  It also mimics the reoccurring nightmares of Post Traumatic Stress Syndrome and the mind's inability to let go of this self-disintegrating experience. This whole structure is  echoed in the chapter "Speaking of Courage" where Norman Bowler drives around and around the lake after returning from the war, unable to stop driving or thinking about the shit field by the river and Kiowa drowning and Bowler's failure to rescue him. Then in the next chapter we discover maybe it was O'Brien the writer who let Kiowa disappear in the muck. Maybe it was true, maybe it was a story. How Steinian. One of the oddest chapters is "Sweetheart of the Song Tra Bong." In this chapter O'Brien the writer effectively shows an aspect of war rarely discussed with non-combat veterans: that for some soldiers nothing in life will ever be as physically thrilling and challenging (nor as traumatizing) as survival, will never involve as much of their instincts, not as civilized beings but as cunning animals, tribe members, ritualistic hunters.  This is usually only hinted at in much war literature. By couching it in a double fiction, showing the transformation as a fable that supposedly happened to a women in a pink sweater, O'Brien both externalizes this transformation and at the same time, frames how easily, how steadily civilizations slips away from even the most innocent and loving.

--- M.M. (Mar) Walker author of Inverse Origami - the art of unfolding, editor and writer at the  Puzzled Dragon and former editor of Bent Pin Quarterly originally written in November of 2003 .
Previously  posted on all my variously named blogs, puzzleddragon, MMW113, etc etc etc

Returning to be ignored?

The troops finally will leave Iraq. How will they be treated? Will there be jobs? Not yet apparently. Will there be healthcare through the VA or will that be gutted too? Have their homes been foreclosed while they were gone?  How many lives have been disrupted and then changed irrevocably?  War takes a bitter toll even on those who can walk away.
Click here for the LA Times on the withdrawl announcement

(below a note on the vicious Stop Loss program,  from last January)
 You can tell there is an unspoken caste system in the U. S.
 Here is how you can tell:

When the economy took a dive and the feds had to bail out so many giant financial corporations, the lobbies and lawyers screamed that contracts including big bonuses to CEOs CFOs COOs, traders etc, had to be honored. Start breaking contracts and Western civilization would crumble, according to the bankers and their lackies in government.  When the fed finally got busy and put some restrictions on bonuses - the banks couldn't pay the TARP back fast enough.

But, WHAT ABOUT OUR SOLDIERS WHO SIGN A ONE YEAR CONTRACT for military service - but then the U.S. engages its "STOP LOSS" program and they aren't allowed to leave, sometimes having to serve a second or third term against their will. Their contracts are broken, and they have no legal recourse. So a contract with a banker is sacred. A contract between the Federal Government and a soldier isn't worth the paper its written on.....  (See Stop-loss policy entry on Wiki)

Of course a whole list of American Indian tribes could have told us this.....So according to U.S. practice -- If you are a well-connected banker the government will go broke to protect you and your contracts are sacred.(Unless of course there is a populist outcry of VOTE THE BUMS OUT!) If you are just a foot soldier, or an Indian Tribe, historically the government says, screw you. Obama may have fixed the first part - but he hasn't gotten around to the second part yet....Check out this NPR story about a  soldier the army wouldn't let go --  who is going to get a court marshal because he wrote and sang a song protesting the Stoploss program. The military actions against this soldier are unAmerican.

SCAN fall sale reception

The Society of Creative Arts of Newtown had an opening reception for its fall holiday show Friday evening. Lots of artists, a few local pols, everyone with cider or wine, noshing on fattening snacks and wandering in isles of art. A nice time, lots of great stuff to see and buy if you have a few bucks to spare. Ends tomorrow at 5. (10/23) Might be bargains!
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