Once I got the second one going, it became obvious to me that getting two wet canvas back and forth twice a week in my little Fiesta was untenable. I can't leave them elsewhere because I am a slow painter and need to live with what I am working on.
So I withdrew. Heavy Sigh. I really like the old WCSU painting studio on White St. much better than the new one in the Visual and Performing Studio building which feels cramped and sterile. I do miss the advice of the instructor though Marjorie Portnow who is very helpful and I know I missed much by leaving. Besides the artistic feedback, she has a technical tips to offer. For example there is some use for Murphy's oil soap when brush cleaning, and that one tip has helped immensely.
The first canvas, at the right, is partially derivative from a portion of Seurat's The Circus, at least composition wise. I liked the grandstand lines and the bareback rider. It needed something so first there was a large clown to the right, then a ringmaster now a smaller running clown lower right which I really dislike as the body is awkwardly drawn for reasons of line rather than anatomy. And so the poor awkward clown may disappear. (has disappeared and been replaced with a giant clown head) Again. Colors will change to, dots may reappear.
The second is above. It borrows the form of the grandstands but nothing else. Not sure where either is going. We shall see.