Saturday, December 27, 2008

Tangle – a drawing, a social statement

We view everything through the veil of our own madness...

Though we are together, we are also caught up in our own stuff... which tends to block out what other people are really doing, saying, intending.

 This is a pencil drawing of mine from a few years ago and though the people are near each other, not one actually is looking at any of the others.....  Each has a different angle, and different range of sight, each is facing in a different direction...

Friday, December 12, 2008

Finding a new niche....

Okay for years you were boss.... had an office to go to, people who awaited your judgments and executed them, who held you in respect. Now you are toast, no title, no job, no house. Now what?

One of the things you have to re-invent is the way you relate to other people - and you have to find people to relate to. You cannot sit home glued to Monster.com or Craig's List or the newspaper want ads - all shrinking like a shallow puddle in the afternoon sun. You can not just churn out resumes week after week, accruing rejections like a manic unknown writer.... without beginning to crumble under the lack of interest unless you take steps to reach out in other ways.

Human connection and the esteem and comfort conveyed by it are health giving and life affirming. Feeling you have some utility is important, it's a reason to survive.

So - you need activities that bouy you... stretch your concept of you in relation to others....

First take inventory.... what hobbies have you ever had that others' seemed to appreciate? What free activities can you engage in where other people are present?

WHo do you know who might need help and encouragement? Remember though you are not in a position to offer financial help, anyone can encourage someone else.... anyone can offer a kind word and a listening ear... etc etc





Monday, December 8, 2008

Who are you? Self-definition amid turbulent circumstance

How we define our selves to our selves - this question and this question alone lies at the heart of surviving changes brought on by job loss, foreclosure and turbulent circumstance.

Up to this point you have made meaning in your life with a certain set of thoughts, with a certain focus. But when you lose your job and your home - in a chaotic economy - that focus has to change.

When you lose your job, your home, you also lose contact with colleagues and associates that were bound up in those locations. Your respected place in the scheme of things, in your career, and as a bread-winner and homeowner disappear all in one shot. If these past things are gone - and if they never return - "who am I now?"

To survive, long-answered questions need to be revisited; long-held assumptions need to be re-examined.

Are you really only worth the support your provided to family, the income you generated for your company? Are you more than external titles and an inventory of purchased goods? Are you worth something, as a simple unemployed, foreclosed upon individual? Do you have value as one unique human character in a world cast of billions?

In other words do human beings have any intrinsic worth? If they do, then you do. Can a human being (you) have worth based on what is inside them rather than on what external titles and goods they posses? Certainly we do...

Thursday, December 4, 2008

Simple math -> NO JOB = NO NEW CAR

What drug is clouding the alleged vision of Washington and the Big Three car makers?
Throwing money at the carmakers will not work. PERIOD. Do the math - it's simple math:

NO JOB = NO NEW CAR 

Americans have stopped buying new cars not because of a lack of credit - but because of actual or impending unemployment.....

Friday, November 28, 2008

Thanksgiving feast at Elmer's Diner - AAA+

I started this post but it was really hard to write considering a friend had died on Monday afternoon. So finally a week later I am posting it on its original date.....

My family on my mom's side always had a big gathering on Thanksgiving. For me, thanksgiving used to mean driving a half hour or more to a crowded busy place full of a dozen warm gabby relatives. Aunt Pearl always cooked a giant bird, the kitchen would humm with activity, the table was stocked with tons of food, 8 different impossible-to-resist desserts, a long day of eating and talking and family opinions. Often rapid fire conversation, feeling too full, and being sickishly on the verge of a headache.

Over the years most have moved far away or died. Mom says she doesn't want to travel on a holiday weekend, nor does she want to be invited to well-meaning friends family dinners. She doesn't want to cook nor eat MY cooking.. (No one could blame her for that...)

SO - Last year we went to a new diner in town - Elmer's. (There is a long post on this blog about it...) This year, despite invites from relatives in New Jersey and Pennsylvania, we went to Elmer's again. Except we decided we would have what we wanted instead of the requisite Turkey Dinner that we were supposed to eat. So mom had salmon and I had a chicken & mushroom dish made with my favorite wine Merlot. The food was great and we didn't have to do the dishes!

The staff is very friendly at Elmer's and we were very well attended. Our waitress even ran outside after the meal because mom had left her hat in the booth.

So then, after, we went to the brand new dollar store open for the first time that day. A mom bought a few bargains, then set her money down on the moving belt in this brand new store and the bill slipped between the belt and the counter and disapeared leaving everyone gasping and full of consternation. They were very nice and polite and sent mom off with her change. After I got her situated in the car, I went back and they were taking the panel to the counter off and a man reached his hand up and over something there and retrieved the bill. WHEW!

Too much excitement!

A poet lost... Terence Stewart McLain (Terry)


The late Terence Steward McLain: 5/24/51 to 11/24/08  was a poet and a host of the Wednesday Night Poetry Series (which at that time met at Molten Java in Bethel, CT), and a fan of poetry readings around the area.

 Terry joined the series around 2003 or 2004, proved himself to be a a caring individual and a man who thought deeply about both life and poetry. He often read not only his own surreal poetry, but poems by vetted “great” poets of many schools and would offer biographical sketches of the poets along with their poems.

 He was a former exec at a relocation company, then at an online electronics re-seller for a time before experiencing the leading edge of the great economic downturn beginning in 2008.  He was divorced, and had two sons he spoke of with great love.

During his time at Wedpoetry  he lived in what he called, “the stony ex-urbs of CT” in the “penthouse of a stable” where two goats, five horses, and six cats also lived. He occassionally putup out-of-state poets like Jack McCarthy at his diggs there. Terry was a member of the Marathon Critique and attended the Housatonic Friends Society. His death at 57 years of age, in Nov. of 2008 left us all scratching our heads, blowing our noses and wondering why. 


His obituary reads: Terence Stewart McLain passed away unexpectedly, November 24 at the age of 57. Terry was born in Duluth, Minnesota on May 24, 1951 and then moved to Des Moines Iowa where he attended school.  After high school, Terry attended Coe College and received a history degree. Terry worked for many years in the relocation industry and later at Cyberian Outpost as a product manager. Throughout his life, Terry enjoyed playing and coaching basketball, as well as coaching soccer for his sons’ teams. In addition to sports, Terry developed a deep love for poetry and enjoyed writing and sharing his poetry with others. He was also an active member of the Toastmaster’s Club for many years. Terry was a loving and devoted father to his sons Kevin and Gregory of New Fairfield. He is survived by, his mother, Ailie McLain, of Minneapolis MN, his sister Judy (Bob) Dannenberg, of Burlington, Wisconsin, and Sarah McLain, the mother of his boys. Terry will be missed by his nieces and nephews in WI, VT and CT. He will also be missed by his close friends at the Molten Java Poetry Group and members of the Quaker Meeting Community.  Terry was predeceased by his father, Fred McLain.


Click here for the post with extensive comment on the Wedpoetry blog which contains a photo of  a comfort quilt maybe a few of the wed poets for Terry's girlfriend Pamela Yager.

A private funeral for family was held the week that Terry died at the St. Stephen's Episcopal Church in Ridgefield, CT. Click here to visit the Cornell Memorial Website where you can read the obituary and light a virtual candle. A large memorial meeting held for Terry several months later at the New Milford Society of Friends Meeting house. It was attended by many area poets and by his friends at the meeting society.


The Window Accepts Its Brick
a poem by Terry McLain
Kiss me with all your approaching difference,
as you yourself keep arriving to me,
potent like the stone you’re not,
approximately edged like my rectangle
but with a roughed-up surface and
some necessity I have never met before.
.
Can you see me? A subtler presence, maybe,
in this fluid familiar world, clear
but with reflections of sunlit leaves, lawns, and hedges,
street traffic and birds above.
You come closer, as certain as my stance,
with no reason for doubt.
But I think I still do.
===================================================
Apologies Not Accepted
a poem by Terry McLain
Never apologize
never say “sorry--this is a little poem”
when you mean this poem—“my poem
that I will now read”--something made
somewhere else, when it (the poem) is unaware
you would be reading it here, tonight. as if it
merely survives on paper
by the grace of me,
godlike, its deity and creator
judging it’s worthiness.
“sorry” implicates the audience
in this heresy, reveals
your willingness to ignore
the significance of your words
plucked by you from the universe of words—
you encourage us to ignore the hundred errands
you neglected to make this poem,
and that here, tonight, some word or words
you are about to read could change
someone who listens, who
will go home tonight with a new purpose,
living two generations away
from the inventor of healthy ice cream
or the orgasm bomb that will make armies
quaint and unnecessary.
when, later, historians consider how
this miracle happened, do you want
to be remembered as the one who
didn't understand the latencies in your poem?
to be forever derided for falling into that old trap
of saying sorry there will be no "peace in our time",
the "mission remains unaccomplished".
the germ might be hidden in a complaint about a boyfriend,
or the last time you kissed your mother,
or how teenage acne could be suffered easily
by retirees in group homes;
it might be an ode to a basketball, when
some words are united for the first time
and then get added to other lines of sublime words
until ignition so the genetic code of someone in this audience
moves north or west by a micron,
saying “yes” now to the future
saying “hold on for just a little longer”
and you want to apologize?
====================================================
My Easter poem…
Judas Tells All a poem by Terry McLain
Before there was blasphemy, there was only the narrative
without inspiration or instruction, without purpose
or a reason for understanding the final words
of this dying man cleaned of any honor he could still lose.
He remembers the final week of life with Jesus
and the palm-strewn Sunday they arrived, the hosannah cries.
He murmrus of a lifetime and how three years of miracles and ministry
disappeared when He walked through Jerusalem gates, remade
into a series of imperfect guesses no closer to who he was -
not the rebbe or the son of god, not the new king
feared by Roman and clergy, not the son of god asking
each disciple to see him as more than them
not the leader who needed Peter's awkward sword
or a man defined by his denials, not the man scourged and beaten,
mocked before Pilate and washing his hands
certainly not the criminal slowly dying, or the son and friend
too soon taken, or lover of mad wantons, strangely unable
suddenly to make a miracle that would save him.
He understood this somehow, he told me that he was prepared to die
to be everything and nothing for this imperfect world
terrified by the perfect god who judged them always.
His place on the edge, between all mistakes and the only place
where none might be, a soft cold light within each of us,
turned into each imperfect vision, named god's will
in all this. He told me to honor him by never denying who he was
no matter who asked me. And when I did, I called him master and
kissed his cheek in the garden because he had taught me to be true
to that and to be his servant in even this. I took the sack of coins defiantly
before grief tore into my resolve, too late to change what he insisted I do,
and when I threw it away, I felt no cleaner.
After he died, for two nights and one dark day I sat alone
hiding from those who would not understand what I had done,
hanging one of the corpses the Romans were so good at making,
so that I was made dead, already knowing that I had one more miracle
to witness. One more mystery to produce. Not knowing what or anything
but the loss of a friend already lost that last week.
Some might say the miracle was the strength to move that stone alone
or when he vanished forever, his body in a light bundle on my back
to be buried in a secret place in the desert.
I say the miracle was the damning one of personal sight that let me see--
that let me know my name was a new scourge used for any weak traitor
crucified by an imperfect world unable to see he was a vessel of light
no more than anyone else, no more than me.

Halloween 2008 at Wed Poetry


Saturday, November 22, 2008

Shijin at ArtWell

Things change.  Especially performances.  ( I had started this post a week late and then was totally distracted by the death of a friend - see nearby posts in this blog)

I belong to a poetry performance troupe called Shijin. We have been having at poetry together for a number of years now.  We create a 30 minute seemless show of poems end to end, forming a sort of  storied arc.  The question most often ask following is "Did you write these poems together?"  And the answer is always no.  They are separate parts of ourselves,  individual as we ourselves. But our common human experience overlaps and our sets evolve in a sort of call and response hashout session which can last hours. 

 Our concept of how to structure the visual aspects of our performances has changed both with the particular set and with the space in which we perform it. Most often the staging (and we do not always stage), is done   by Alice-Anne Harwood, who has studied theatre and dramaturgy.

We hit our stride this year with a new set called Undone, which has been published by Hanover Press.  This works very well for us, as it gives us the set in hand, incase any members are absent. It also gives listeners the opportunity to take the poems home, arranged in the same way as the performance. We had already given one performance of Undone this past summer at the Wednesday Night Poetry Series. It was a tentative show, as we had just put the set together.

At Artwell Gallery on Water Street in Torrington, we gave another performance of Undone on Nov. 15,   and although one member was missing, the set works quite well.  Alice Anne had us behave as if we were getting together for coffee just a bunch of girls getting together telling stories in the form of poems. This really allowed everyone to react to the others poems very naturally. It worked very well. The audience really was attentive and apreciative

I should add that Artwell's open mic was a really good quality reading, and really enjoyed listening to their poets and and to one man who improvised a poem.  The art on the wall is a plus too. It's a wonderful atmospheric venue for a poetry reading.....